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Arranging Music For The Real World - Vince Corozine
Theory Book. Book with Online Audio. 212 pages. Easy to intermediate level.
This book is written from a composer's point of view and is intended to be a reference book for the analysis of arranging techniques. Its aim is to help composers and arrangers improve their compositional skills as well as their understanding of various musical styles. Through a study and analysis of the scores and styles of the master composers, the author gives a broad view of the music of both the past and of the present. This allows the musician to navigate within the contemporary music scene with an essential awareness of and appreciation for all genres of music. The skills and concepts taught in this book will help the aspiring arranger harmonize melodies and write counter-melodies quickly and efficiently utilizing various combinations of instruments and voices, whether for pops orchestra, television, or recordings, according to the demands of modern commercial music. Includes access to online audio. Content: Part One: Overview of Arranging Principles 1. Introduction Approach to Arranging Orchestration and Arranging The Learning Process 2. Harmonics and Overtones Harmonic Series Voicing (Spacing) - Close Position - Open Position - Clusters - Fourth Chords Low Interval Limits 3. Doubling of Notes Types of Doubling - Unison Doubling - Octave Doubling - Spaced or Gapped Octave Doubling - Doubling at Other Intervals 4. Clarity of Design and Motion Diversification of Texture - Monophonic - Homophonic - Polyphonic - Homorhythmic - Mixed or Composite Texture Interchange of Musical Lines Rhythmic and Harmonic Contrast - Foreground and Background Smooth Connections Consistency of Sound Chordal Outline of a Melody Pitch and Range Harmony Dynamics - Terraced Dynamics - Bass Line Doubled at the Octave Motion 5. Balance and Tone Color Modulations Achieving Balance Tutti - Unison-Octave Tutti - Chordal Tutti Tone Color - Highlighting the Melody 6. A Brief Historical Survey of Orchestration Baroque Period Classical Era - New Instruments Romantic Period - Innovative Forms - Instrumental Music Reigns Impressionistic Period - Unique Orchestral Effects Contemporary Period - Woodwind and Percussion Dominate - Dissonant Sonorities Summary Assignments Part Two: One and Two-Part Writing 7. One-Part Writing One Instrument Unison and Octave Doubling Alternating Phrases (Switching of Roles) Overlapping Lines 8. Writing for Two Parts (Two Melodic Lines) The Challenge Combining Colors Ostinato Duet Consonance and Dissonance Combining Intervals 9. Motion Types Contrary Oblique Similar Parallel - Tessitura - Contemporary Usage of Parallel Octaves - Crossing of Parts 10. Seven Methods for Achieving Variety with Two Parts 1. Unison 2. Octaves 3. Other Intervals - Neighboring or Embellishing Tones 4. Melody with Counter-Melody 5. Imitation with Overlapping Phrases 6. Suspensions 7. Pedal-Point - Inverted Pedal - Internal Pedal - Embellished Pedal - Ostinato Summary Assignments Appendices A. Solutions to Assignments Part One Assignments Part Two Assignments B. Scores for Study Renaissance Romantic Baroque Classical Impressionistic Contemporary C. Instrument Ranges Strings Woodwinds Saxophones Brass Percussion, Fretted, and Other Instruments Voices Recorders D. Bibliography Orchestration/Arranging (Traditional Texts) Orchestration/Arranging (Commercial Texts) Composing for Film Vocal Arranging Music Business. Get Fit in Rhythm - Markus Brachtendorf/ Heinz-Reiner Schiefer
Theory, book with 2 CDs, sasy to intermediate level. Language: German.
Rhythmen sicher beherrschen: Get Fit in Rhythm bietet 33 Rhythmusübungen von leicht bis mittelschwer. Mit dem Heft wird gleichzeitig das Notenlesen trainiert und verbessert. Klatschen können genügt: Get Fit in Rhythm funktioniert voraussetzungslos und ohne Instrumente. Auch für unterwegs: Get Fit in Rhythm bietet umfangreiches Übungsmaterial auf einer Daten-CD – auch für das Smartphone. Flexibel einsetzbar: Get Fit in Rhythm richtet sich an Schülerinnen und Schüler ab Klasse 5. Darüber hinaus ist es für Warm Ups und Rhythmustraining im Einzel- und Gruppenunterricht sowie in Ensembles geeignet. Get Your Band Together: Berklee Practice Method: Teacher's Guide - Jonathan Feist & Matt Marvuglio
This first-ever guide will help teach musicians to play in a band. Whether you are a school music teacher or band leader, or you coordinate a music program at a house of worship or summer camp, this guide will help you use the innovative Berklee Practice Method series to teach your students. Includes thoughtful and provocative lessons to help improve your band's overall sound, timing, cohesion and sense of groove. The CD contains sample tracks from all of the different instrument volumes.
Jazz mode d'emploi Volume 1: Petite encyclopédie des données techniques de base - Philippe Baudoin
Theory Book. Language: French.
Jazz mode d’emploi (fruit de 20 ans de recherches et de 10 ans de professorat) est une « petite encyclopédie des données techniques de base » destinée à tous les instrumentistes et enseignants. Ce n’est pas une méthode, mais un catalogue faisant la synthèse des données techniques de base qui apporte un éclairage nouveau. Ce recueil contient des informations jamais encore traitées dans aucun autre ouvrage. Pas à pas, le lecteur apprend à cerner l’essence du « thème de jazz », à en comprendre structures et langage, éclairé par l’abondance des exemples. Jazz user manual (the result of 20 years of research and 10 years of teaching) is a "small encyclopaedia of basic technical data" for all instrumentalists and teachers. This is not a method, but a catalog summarizing the basic technical data that brings a new light. This collection contains information never before processed in any other work. Step by step, the reader learns to identify the essence of the "jazz theme", to understand structures and language, illuminated by the abundance of examples. Pentatonic Scales for Jazz Improvisation - Ramon Ricker
More than a pattern book, this 80-page spiral-bound book lays out the theory behind the use of pentatonic scales in jazz, and follows with 12 pages of transcribed solos and 40 pages of exercises. Still a favorite after 14 years, this book has become a standard in the field
Sight Reading: The Rhythm Book - Alex Pertout
Sight Reading: The Rhythm Book is a graded workbook for instrumentalists and vocalists designed to develop sight reading and rhythmic skills by presenting a course of progressive lessons and studies specifically aimed at these areas. Many different rhythmic groupings and writing styles are clearly presented and analyzed. This book will provide invaluable assistance to all musicians and lead to a greater understanding of the fundamentals of rhythm. Through the development of the counting method employed in this book and the analysis of rhythmic structure-identification of the various notes, rests, groups and signs used-the student will attain greater ease and facility when approaching sight reading material.
The Contemporary Arranger - Don Sebesky
An authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky’s complete orchestra.
Book and CD. The Inside Improvisation Series Vol 5: Thesaurus of Intervallic Melodies (E/D) - Bergonzi, Jerry
"Practicing out of this book by just reading the melodies has changed and expanded my playing," says Jerry Bergonzi. He offers a number of suggested uses and applications for this intervallic system including ear training, composition, improvisation, improving technical facility, intonation, sight reading, breaking finger habits, and pitch retention.
This book is accompanied by a play-along CD with 19 tunes as well as 8 vamps featuring Jerry Bergonzi and Allan Chase, saxophones (soprano, alto, tenor, and baritone); Renato Chico, piano; Dave Santoro, bass; and Tom Melito, drums. The intervallic system presented in this book is a means for creating original lines and themes - a modern thesaurus of intervallic melodies. Each page concentrates on three, four, or five specific intervals. Combining these intervals with all of the possibilities for moving in ascending or descending direction creates an infinite variety of very distinctive melodies. Although these melodies were composed independent of any particular harmony they can sound quite effective when played over chord changes. Chord changes and heads are included for C concert, Bflat, Eflat, and bass clef instruments.
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