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"Wunderkind" Sonatas Volume 1 KV 6-9 - Wofgang Amadeus Mozart / Wolf-Dieter Seiffert Piano solo, urtext edition. As astonishing as it might sound, Mozart was already composing piano sonatas (K. 6–9) at the age of seven. It is wonderfully fresh and varied music. We have already published Urtext editions of these four sonatas in the version for piano and violin (HN 1077). As far as we are aware they have never been published solely as piano sonatas, even though Mozart described them thus in the title and they were assuredly played as such. Whilst the added violin provides tonal enrichment, it can be omitted without loss. A true treasure trove of easier, unknown original music by Mozart. Contents: Piano Sonata (Wunderkind) C major KV 6 Piano Sonata (Wunderkind) D major KV 7 Piano Sonata (Wunderkind) B flat major KV 8 Piano Sonata (Wunderkind) G major KV 9
"Wunderkind" Sonatas Volume 2 K. 10-15 - Wofgang Amadeus Mozart / Wolf-Dieter Seiffert Piano solo, urtext edition. In 1764 the eight-year-old Mozart wrote the Sonatas K. 10–15 in London. Leopold Mozart was only able to understand his son’s musical genius in terms of it being a God-given wonder: “That my boy […] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it”. According to the title page the six sonatas can either be played as piano trios, violin sonatas or simply piano solo. Contents: Piano Sonata (Wunderkind) B flat major KV 10 Piano Sonata (Wunderkind) G major KV 11 Piano Sonata (Wunderkind) A major KV 12 Piano Sonata (Wunderkind) F major KV 13 Piano Sonata (Wunderkind) C major KV 14 Piano Sonata (Wunderkind) B flat major KV 15
"Wunderkind" Sonatas Volume 3 K. 16-31 - Wofgang Amadeus Mozart / Wolf-Dieter Seiffert Piano solo, urtext edition. The Six Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the “Wunderkind” Mozart have only been known in the form of violin sonatas up to now (also see Henle Urtext edition HN 1079). Our edition for solo piano, the first time it has ever been printed in this form, is now available for piano teachers to make use of in their lessons, as well as for all lovers of Mozart. Contents: Piano Sonata (Wunderkind) E flat major KV 26 Piano Sonata (Wunderkind) G major KV 27 Piano Sonata (Wunderkind) C major KV 28 Piano Sonata (Wunderkind) D major KV 29 Piano Sonata (Wunderkind) F major KV 30 Piano Sonata (Wunderkind) B flat major KV 31
... Couple Égyptienne en Route Vers l'Inconnu... - György Kurtág Piano. The two piano pieces were inspired by a statue which can be seen in the Egyptian Collection of the Louvre in Paris. The full-length portrait of the couple holding hands was carved in wood by the unknown master more than 4000 years ago (i.e. between 2350-2200, the time of the VIth dynasty's reign). We don't know who they are, where they come from, and we also don't know where they are going. All we see is that they belong together. And in Kurtág's music we can now also hear their quiet footsteps. Kurtág wrote the pieces in April-May 2013. The first piece is dedicated to pianist Menahem Pressler, celebrating his 90th birthday that year, the second piece (Double) to the French pianist-teacher, Valérie Haluk. The two pieces can be performed together or separately. This edition has been published for György Kurtág's 90th birthday. (Tünde Szitha)
A Bach Book for Harriet Cohen - J.S. Bach/ David Owen Norris Piano Solo. Harriet Cohen (1895-1967) studied at the Royal Academy of Music, London, before quickly gaining a reputation as a Bach specialist. She was also strongly associated with British music of the period and was the dedicatee of numerous contemporary works, including the last six pieces in Bartók's Mikrokosmos, Vaughan Williams's Piano Concerto, and most of Bax's piano music. Harriet received various honours and awards, among them a CBE in 1938 and a Freeman of the City of London in 1954. Titles are: arr. Granville Bantock: Wachet auf, ruft uns die Stimme (Sleepers, Wake) arr. Arnold Bax: Fantasia arr. Arthur Bliss: Das alte Jahr vergangen ist (The old year is ended) arr. Lord Berners: In dulci jubilo (In sweet rejoicing) arr. Frank Bridge: Komm, süsser Tod (Come, sweet death) arr. John Ireland: Meine Seele erhebt den Herren (My soul doth magnify the Lord) arr. Eugene Goossens: Andante, from Brandenburg Concerto No. 2 in F major arr. Hebert Howells: O Mensch, bewein' dein' Sünde gross (O man, bewail thy grievous fall) arr. Constant Lambert: Der Tag, der ist so freudenreich (O hail this bright day of days) arr. William Walton: Herzlich tut mich verlangen (Lord, hear my deepest longing) arr. Ralph Vaughan Williams: Ach, bleib' bei uns, Herr Jesu Christ (Now cheer our hearts this eventide) arr. William G. Whittaker: Wir glauben all' an einen Gott, Vater (We all believe in one God, the Father)
A Dozen A Day Book 2: Elementary - Edna Mae Burnam Pre-practice technical exercises for the piano. The purpose of this book is to help develop strong hands and flexible fingers. The idea is to learn two or three exercises at a time, which should be played each day before practising. Only when these are mastered should you add another. When all in the first group are mastered, the next group may be introduced. Many of these exercises may be transposed to different keys.
A Dozen A Day Book 2: Elementary - Edna Mae Burnam Now available as a book and CD edition. Pre-practice technical exercises for the Piano. The purpose of this book is to help develop strong hands and flexible fingers. The idea is to learn two or three exercises at a time, which should be played each day before practicing. Only when these are mastered should you add another. When all in the first group are mastered, the next group may be introduced. Many of these exercises may be transposed to different keys. The accompanying CD is a wonderful tool for enhancing these exercises with highly acclaimed midi-orchestrated backing tracks - learning becomes so much fun! Each track is split to enable the pupil to hear both Piano part and accompaniment is the balance is centred, the accompaniment without the Piano is the balance control is all the way to the left, and the Piano part alone if it is all the way to the right! An ideal accompaniment to practice.
A Dozen A Day Book 3: Transitional - Edna Mae Burnam Now available as a book and CD edition. Pre-practice technical exercises for the Piano. The purpose of this book is to help develop strong hands and flexible fingers. The idea is to learn two or three exercises at a time, which should be played each day before practicing. Only when these are mastered should you add another. When all in the first group are mastered, the next group may be introduced. Many of these exercises may be transposed to different keys. The accompanying CD is a wonderful tool for enhancing these exercises with highly acclaimed midi-orchestrated backing tracks - learning becomes so much fun! Each track is split to enable the pupil to hear both Piano part and accompaniment is the balance is centred, the accompaniment without the Piano is the balance control is all the way to the left, and the Piano part alone if it is all the way to the right! An ideal accompaniment to practice.
A First Book of Beethoven - Ludwig van Beethoven/ David Dutkanicz Piano solo. Easy level. Book with daownloadable MP3s. Contents: 1 Adagio (Sonata No.5) 2 Adagio Cantabile 3 Bagatelle In D 4 Bagatelle In G 5 Bagatelle in G minor 6 Canto Pastoral 7 Fur Elise 8 Minuet In G 9 Moonlight Sonata 10 Ode To Joy 11 Piano Concerto No.4 12 Romance in F 13 Romanza 14 Rondo 15 Rondo (Sonata No.19) 16 Sonata No.14 17 Sonatina In G 18 Symphony No.5 19 Symphony No.6 20 Symphony No.8 21 Theme (Symphony No.3) 22 Trio (Sonata No.1) 23 Turkish March
A First Book of Beethoven - Ludwig van Beethoven / David Dutkanicz Piano, easy level. Specially arranged and simplified, this updated and expanded collection of Beethoven works for beginner pianists will delight students and teachers alike. They include such popular melodies as “Für Elise,” “Ode to Joy,” and the opening of the "Moonlight Sonata,” along with excerpts from many other sonatas and highlights from the symphonies. Includes MP3 downloads for every piece.
A First Book of Chopin - Chopin Piano solo. For beginning pianists with downloadable MP3s. Contents: 1 A Late Nocturne (Op.55 No.1) 2 An Early Nocture (Op.9 No.2) 3 An Elegant Chopin Melody (Prelude Op.28 No.7) 4 Ballade No.1 In G Minor Op.23 5 Ballade No.2 In F Op.38 6 Etude (Carcassi, Matteo) 7 Etude Op.10 No.3 8 Fantasie-impromptu Op.66 9 'heroic' Polonaise Op.53 10 Lullaby (Berceuse Op.57) 11 Marche Funebre From Op.35 12 Mazurka In C Op.33 No.3 13 Mazurka In F Op.68 No.3 14 Mazurka In G Minor Op.Post.67 No.2 15 Military Polonaise (Op.40 No.1) [Chopin, Frederic] 16 Prelude In A Op.28 No.7 17 Prelude In C Minor Op.28 No.20 18 Prelude In D Flat 'Raindrop' Op.28 No.15 19 Scottish Dance Op.72 No.3 20 Troisieme Mazurka 21 Waltz In A Flat Op.69 No.1 22 Waltz In A Minor Op.34 No.2 23 Waltz In D Flat (Minute Waltz) Op.64 No.1
A First Book of Debussy: For The Beginning Pianist - Claude Debussy Piano solo. With downloadable MP3s. Debussy's music can be daunting to beginning pianists: his abstract sense of composition sometimes makes listeners feel lost, the harmonies are more chromatic than traditional works, and often his use of advanced keys is beyond the grasp of even more experienced players. This compilation, however, makes the composer's works highly accessible to beginning pianists. These introductory arrangements focus on Debussy's melodies and style. The more abstract works are excerpted and presented in manageable samples, and the keys are simplified. Suggested fingerings are also provided. Beginning pianists will be able to enjoy a wide variety of works that previously seemed unapproachable: "Claire de Lune," "Prelude to the Afternoon of a Faun," "Beau Soir," "Danse Bohémienne," and many other etudes, preludes, and melodies. Best of all, free downloadable MP3s of each piece will familiarize players with the music.
A First Book of Schumann: 32 Arrangements for the Beginning Pianist - David Dutkanicz This beginner's piano book spotlights the music of one of the Romantic movement's most influential composers, Robert Schumann. Its easy-to-play renditions of Schumann's beloved works progressively increase in difficulty and are accessible to novices of all ages. Contents include selections from Forest Scenes, Scenes from Childhood, Album for the Young, and Carnaval, a collection of short pieces representing revelers at a masked ball. Selections include "Traumerei," "Happy Farmer," "Papillons," and other melodies for solo piano. Dover Original.
A First Book of Wagner - Wagner / David Dutkanicz Piano solo. The music of Richard Wagner can be daunting to beginning pianists, but this collection offers an accessible approach to the famous nineteenth-century composer's works. The arrangements focus on Wagner's melodies and style, presenting manageable excerpts from the more abstract works in simplified keys and with suggested fingerings.More than 30 pieces consist chiefly of selections from Wagner's operas. Highlights include the thrilling Ride of the Valkyries from Die Valküre, the second of the four Ring Cycle operas. Other pieces from the epic musical series include Siegfried the Hero from Siegfried and Song of the Rhine Daughters from Götterdämmerung. The collection also features pieces from Parsifal,Tannhäuser, The Flying Dutchman,Rienzi, Lohengrin, and Tristan und Isolde, as well as other works. Each selection features a brief Introduction that provides historical context and, in some cases, suggestions for performance.
A Garland of Rags - Peter Schickele Piano solo. Over the course of his prolific career as a composer, Peter Schickele has created and performed a number of piano rags, a form that he has always enjoyed. In A Garland of Rags, he has assembled a first printing of five rags written for various occasions, and now made available for pianists of intermediate to advanced skills. The score includes his notes, describing the genesis of each piece. Dur.: 7'
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